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Having said, although others have correctly stated that you can probably get your look using digital cameras today, it all depends. If you have a budget, it’s not that big a deal to shoot on film, it can even be easier in some ways. It’s a lot of fun and you’ll get a lot of respect from your actors and crew if you use film because of the discipline it requires. If you shoot 35, I would definitely shoot with a 500T film, because frankly, the slower speed films will probably give you a cleaner no grain look. Go Check out “Call Me By Your Name” which is in theaters now, for an example. Or the Florida Project, which used 50D and 200T for day exteriors and 500T for night interiors to get some comparisons. Shooting 16 will give you more Grain, See “Carol” for a recent example.

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Ballroom dancing shoes have suede soles. This is to provide the right amount of slide vs. friction for controlled moves, turns and so on, on a proper ballroom dance floor, which is polished wood. They won’t last too long for street wear, they might be ok if you just wear them indoors.

 

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That said, you can get the soles changed at a reputable shoe repair place. Dance shoes are usually quite well made with good lasts and strong fittings, so they are reasonably sturdy for frequent wear, and have decent support.

 

If you want a camera recommendation for digital, I would use a Digital Bolex, which very easily gives a nice 16mm color look without much effort as it was specifically designed for that. But you can accomplish it with others.

 


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I would look at those films that have the look you want and study what about the lighting and filter/diffusion effects give them that look, and try to replicate it on set, and then tell your colorist to go for a look from sample frame grabs of films you like from the late 80s.

 

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Having said, although others have correctly stated that you can probably get your look using digital cameras today, it all depends. If you have a budget, it’s not that big a deal to shoot on film, it can even be easier in some ways. It’s a lot of fun and you’ll get a lot of respect from your actors and crew if you use film because of the discipline it requires. If you shoot 35, I would definitely shoot with a 500T film, because frankly, the slower speed films will probably give you a cleaner no grain look. Go Check out “Call Me By Your Name” which is in theaters now, for an example. Or the Florida Project, which used 50D and 200T for day exteriors and 500T for night interiors to get some comparisons. Shooting 16 will give you more Grain, See “Carol” for a recent example.

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I’ve given some thought to this question, and still come up quite short. A few things come to mind, which are video cassettes, which just about fall outside of vintage, but also, DVDs, and even CDs. The other item which came to mind are bank statements. What we think of as modern day commodities become passe and obsolete so rapidly in this day and age.

 

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In this question, you do not mention for which device you want the best apps for retro and vintage editing; Means for Android or IOS. OK, don’t worry today I am talking about the best apps for retro and vintage editing for Android or IOS.

 

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